Au revoir BB
On December 6th 2018, the Teatro Argentina in Rome hosted Au Revoir BB, a tribute to Bernardo Bertolucci organized by Clare Peploe, Francesco Siciliano, Giovanni Mastrangelo, Metka Kosak, Jacopo Quadri, Franco Piersanti, Nathalie Baldascini, Chema Prado, Nicolò Tettamanti e Tiziana Lo Porto. On this page you will find the full video of the evening and the individual interventions and video messages of friends, actors, directors and collaborators.
Albinati
“I’ve always seen him as a wonderful apprentice: someone who learns instead of teaching.”
Cavalli
“It’s all so simple, yes, it was so simple, it is so clear I almost can’t believe it. Here’s what the body is for: you touch me or you don’t touch me, you hold me or send me away. The rest is for lunatics.”
Cavani
“Editing has always been very important for Bernardo and for me, like finding the musical score of the right rhythm for the film we had in mind.”
Jim Jarmusch
“We’ll never be without his memory, and without his masterful, sweeping, astonishing use of cinema.”
Frears
“We had the same age, teenagers from the sixties, we had grown up on the nouvelle vague, we used to call ourselves the last children of Renoir.”
Gitai
“Cinema has to re-engage, it’s our mission, and I think this is part of the legacy of Bernardo.”
Green
“So we’ll go no more a roving, so late into the night, though the heart be still as loving, and the moon be still as bright.”
Martone
“And when I asked him: you have had so many proposals to stage an Opera, why don’t you try? he answered: because I would miss the camera.”
Malkovich
“He said: there is a difference between me and other hypochondriacs. And the difference is that I really am sick.”
McBride
“He was a maestro to me, non just in cinema, but in food, pleasure, and friendship.”
Paredes
“I began to love Bernardo after Before the Revolution. I saw that movie and I said: this is the cinema I want to do.”
Rafelson
“Bernardo, when you’ll get up there – you’re already up there – save me a good seat.”
Schlöndorff
“One day I asked him: how come our first films are stronger than those we made later? And he replied: maybe next time we should do the old ones first and save the first ones for the end.”
Scorsese
“And I realized that I was privileged to have seen something very rare, the very moment when a new young artist, just one year older than me, had arrived.”
Sorrentino
“Because from my point of view, both as a man and as an artist, you were able to open windows.”
Spielberg
“I’ve never got the chance to be Bernardo Bertolucci, because there’s only room for one.”
Stone
“When you experience beauty together, and life lessons, and wisdom, it falls into your soul like a light that will never go out.”
Tyler
“Really you spoiled me, because I thought that all the directors would be like that, and I was very wrong because it was very unique to you.”
Wenders
“When you’re sad and when you’re lonely, and you haven’t got a friend, just remember that death is not the end.”
We give thanks for the live tributes
and video-messages:
Edoardo Albinati Pedro Almodovar Niccolò Ammaniti Marco Bellocchio Roberto Benigni Ilaria Bernardini Mel Brooks Valeria Bruni Tedeschi Valerio Carocci Patrizia Cavalli Liliana Cavani Francis Ford Coppola Willem Dafoe Madya Diebate Sara Driver Tea Falco Stephen Frears Richard Gere Gilberto Gil Marco Tullio Giordana Amos Gitai Eva Green Jim Jarmusch |
John Malkovich
Mario Martone Jim McBride Ennio Morricone Marisa Paredes Bob Rafelson Ludovica Rampoldi Arturo Ripstein Ryūichi Sakamoto Stefania Sandrelli Volker Schlöndorff Barbet Schroeder Martin Scorsese Paolo Sorrentino Steven Spielberg Sharon Stone Donald Sutherland Jeremy Thomas Liv Tyler Caetano Veloso Walter Veltroni Wim Wenders Debra Winger |
I left the ending ambiguous, because that is the way life is.
Bernardo Bertolucci answering to a woman who had just seen a special screening of La luna at the Film Center of the School of the Art Institute, Chicago, October 2, 1979